25 May 2018
Jan Nelson: Black River Running
Anna Schwartz Gallery
Reviewed by Ranger Thomas
Jan Nelson's ten paintings of life-size figures hang sparsely in the gallery. Stripes of primary color underline them, recalling a paint job at a kindergarten but with the geometry of a Noland.
The images have flat backgrounds of lollipop rainbows. The little girls depicted in each are garishly overdressed, too many headphones and gadgets, hats and wigs, shades and goggles. Their comforters, toys, and clothing should reassure but somehow only add to the disquiet. Impeccably painted and drawn, in front of them I feel a presence, as with well-executed, life-size figure paintings of the big tradition.
Is there one model? It's hard to tell. I couldn't help but be uncomfortable with them, not because they're noisy children, but because of their silence. Are they witnesses to our future? A bubblegum apocalypse? It's as if Ingres had a bad LSD trip and became obsessed with the shape of children to come.
Beautiful and disturbing, "Black River Running" is a haunting experience.
|Exhibition||Jan Nelson: Black River Running link|
|Start date||27 Apr 2018 (59 days ago)|
|End date||26 May 2018 (30 days ago)|
|Presenter||Anna Schwartz Gallery link|
|Venue||185 Flinders Lane, Melbourne, AUS map|
|Image||Jan Nelson, Black River Running #4, 2017, oil on linen, 74 x 57 centimeters, photo by Mark Ashkanasy, courtesy of the artist and Anna Schwartz Gallery|
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