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11 Jun 2018

Trude Viken

Fortnight Institute

Reviewed by Suzanne Unrein

Through virtuoso brushstrokes, scrapes, and smears in Trude Viken's exhibit of self-portraits and couples, hidden emotional states ooze externally. Thick pigments sculpt monstrous faces in unearthly, ashen umbers with shocks of yellows, reds, and pinks. The paint is urgent and frenetic in Ensor-esque proportions.

A hundred twelve-inch canvases make up the Diary Notes series, a visual daybook of the clandestine side of the human psyche. Painted with deftness, the horrific and impotent connect through tantalizing smirks and penetrating stares. Slits of human eyes beckon for understanding as whirls of thick paint obliterate surrounding features. A head slips down a picture frame, losing its footing among a sea of acidic, calamitous, green-gray marks that offer a lifeline.

In Couples and Ghosts, anxiety is heightened with twosomes melding together in otherwise roomy compositions. Only their dissolution offers a respite from their neediness and angst.

Exhibition Trude Viken
Start date 16 May 2018
End date 17 Jun 2018 (59 days ago)
Presenter Fortnight Institute link
Venue 60 East 4th Street, New York City, NY, USA map
Image Trude Viken, Diary Notes, 2018, oil on canvas, 11.81 x 9.45 inches, courtesy of Fortnight Institute
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