02 Oct 2020
Edward Avedisian: Reverberations
Reviewed by Franklin Einspruch
Too sloppy to be hard-edge but too crisp to be painterly - could we call them medium-edge? - the 1965 paintings of Edward Avedisian infuse Pop irreverence into a mode of painting that Darby Bannard called presentational abstraction, as if the art object "was staring right back at you like it was another person."
The compositional motif throughout the series is a striped ball or two sailing through the eighty-inch-plus color field. I was once an avid juggler and I am all but helpless with glee in front of these paintings. Nevertheless a few examples stand out. The orange and blue ball on the green background (all are untitled) hits an especially good color balance, with both the orange and the green reading as light. The orange and yellow ball on the burgundy background gets great mileage out of the staining effect of the acrylic. The "medium" of "medium-edge" would work as a double entendre, as the spill of paint past the drawn lines creates transparencies of color that turn these simple arrangements into pictures. Are they staring back, or am I?
|Exhibition||Edward Avedisian: Reverberations link|
|Start date||10 Sep 2020 (47 days ago)|
|End date||10 Oct 2020 (17 days ago)|
|Presenter||Berry Campbell link|
|Venue||530 West 24th Street, New York City, NY, USA map|
|Image||Edward Avedisian, Untitled, c. 1965, acrylic on canvas, 80 x 79 1/2 inches, courtesy of Berry Campbell Gallery|
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