27 Jul 2018
Institute of Contemporary Art/Boston
Reviewed by John Pyper
Kevin Beasley has built a baroque group of sculptural, painterly works primarily made from stiffened fabrics. The head coverings hold no person inside and stand out from the walls like flying buttresses. Beasley's art speaks to the void found in each sculpture. The work manifests as architectonic space rather than outfits. One is left asking, "How do we move through these buildings?"
Through their engagement with bodily emptiness, they argue against the neutrality or the whiteness of the cube. The institution's participation completes these works, as it is only in the space with guards and alarms, where we are held distant from these once-personal outfits, that we can encounter solid, aesthetic masses instead of what would be an unknowable other's wardrobe. It is in a space where context is withheld that these works can really dig into what sculpture can do formally and how the institution can assist in producing meaning.
|Exhibition||Kevin Beasley link|
|Start date||09 May 2018|
|End date||26 Aug 2018 (31 days ago)|
|Presenter||Institute of Contemporary Art/Boston link|
|Venue||25 Harbor Shore Drive, Boston, MA, USA map|
|Image||Kevin Beasley, Untitled (11), 2015, altered New Era fitted hats, house dresses, t-shirts, bandanas, studio debris, pillow cases, resin, down feathers, raw cotton, and television mount, 94 x 77 x 28 inches, courtesy of the artist and Casey Kaplan, New York, photo by Jean Vong, © Kevin Beasley|
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