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14 Mar 2018, Berlin: Indigenous Australia: Masterworks from the National Gallery of Australia, me Collectors Room Berlin, reviewed by Vera Wilde

13 Mar 2018, Ithaca: Brian Arnold: Ithaca by Night, Community School of Music and Arts, reviewed by Arthur Whitman

09 Mar 2018, Köln: Black Power - Flower Power: Photographs by Pirkle Jones and Ruth-Marion Baruch, Museum Ludwig, reviewed by Vera Wilde

08 Mar 2018, New York City: Andy Woll: Western Wear, Denny Gallery, reviewed by Suzanne Unrein

08 Mar 2018, Miami: Tom Schmitt, Bridge Red Studios, reviewed by Elisa Turner

07 Mar 2018, Medellin: Vardagnega, Soto, & Lezaca, Mundo Arte Galeria, reviewed by Andy Gambrell

07 Mar 2018, New York City: Rita McBride: Particulates, Dia:Chelsea, reviewed by William Corwin

03 Mar 2018, Jamaica Plain: Displays of Affection, Boston Cyberarts Gallery, reviewed by Karen Lean

02 Mar 2018, Köln: James Rosenquist: Painting as Immersion, Museum Ludwig, reviewed by Vera Wilde

02 Mar 2018, Washington, DC: Kesha Bruce: Weapons for Spiritual Warfare, Morton Fine Art, reviewed by Stephanie Lee Jackson

02 Mar 2018, New York City: Suzanne Unrein: Animal Dreams, GROUPE, reviewed by Elizabeth Johnson

01 Mar 2018, New York City: All Good Art is Political: Käthe Kollwitz and Sue Coe, Galerie St. Etienne, reviewed by Harry Newman

27 Feb 2018, Berlin: Eckart Hahn: The Black Dog Dresses Brightly, Haus am Lützowplatz, reviewed by Vera Wilde

23 Feb 2018, New York City: David Hockney, Metropolitan Museum of Art, reviewed by Harry Newman

22 Feb 2018, York: Kate Kretz: Common Denominator, York College Galleries, reviewed by Stephanie Lee Jackson

21 Feb 2018, New York City: Leon Golub: Raw Nerve, Met Breuer, reviewed by Suzanne Unrein

20 Feb 2018, Miami: Mette Tommerup: Ocean Loop, Emerson Dorsch, reviewed by Elisa Turner

19 Feb 2018, Houston: Dana Frankfort: there was a stone, Inman Gallery, reviewed by John Hovig

16 Feb 2018, North Miami: Tom Scicluna: FREE, Under the Bridge, reviewed by Elisa Turner

15 Feb 2018, New York City: John Opper: Paintings from the 1960s and 1970s, Berry Campbell, reviewed by Kim Uchiyama

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