Reviews

14 Nov 2018, Chicago: Peeling off the Grey, National Museum of Mexican Art, reviewed by Nina Versenyi

09 Nov 2018, New York City: Susan Vecsey, Berry Campbell, reviewed by Maria-Lisa Farmakidis

09 Nov 2018, Asheville: Introducing Frank Hursh, Blue Spiral 1, reviewed by Andy Gambrell

02 Nov 2018, Harvard: Inhabiting Folk Portraits, Fruitlands Museum, reviewed by Stace Brandt

01 Nov 2018, Miami: Mira Lehr: Tracing the Red Thread, Museum of Contemporary Art, North Miami, reviewed by Elisa Turner

01 Nov 2018, Brooklyn: Shari Mendelson: Glasslike, Agnes Varis Art Center at UrbanGlass, reviewed by Suzanne Unrein

26 Oct 2018, New York City: Marisa Takal: People People People People People Building, Jeffrey Stark, reviewed by William Corwin

21 Oct 2018, New York City: Pooneh Maghazehe: Double Zero, 17Essex, reviewed by William Corwin

20 Oct 2018, San Francisco: Susan Meiselas: Mediations , San Francisco Museum of Modern Art, reviewed by Lani Asher

09 Oct 2018, New York City: Everything Is Connected: Art and Conspiracy, Met Breuer, reviewed by William Corwin

05 Oct 2018, North Miami: Sara Stites: Journey, Under the Bridge, reviewed by Elisa Turner

04 Oct 2018, New York City: Jane Fine: Love, American Style, Pierogi, reviewed by Suzanne Unrein

29 Sep 2018, Brooklyn: Tim Kent: Dark Pools and Data Lakes, Slag Gallery, reviewed by William Corwin

28 Sep 2018, Toronto: Jean-François Lauda, Angell Gallery, reviewed by Andy Gambrell

27 Sep 2018, New York City: Will Corwin: The Old Gods, Geary Contemporary, reviewed by Saul Ostrow

25 Sep 2018, Boston: Be Here Now, Beacon Gallery, reviewed by Daniel Perez

24 Sep 2018, Reading: The Solace of Amnesia, Hall Art Foundation, reviewed by Elizabeth Michelman

23 Sep 2018, Rockland: Angelo Ippolito: Color as Light, Yvette Torres Fine Art, reviewed by Kay Tobler Liss

18 Sep 2018, Boston: Rena Detrixhe: Red Dirt Rug, Abigail Ogilvy Gallery, reviewed by Olivia Kiers

14 Sep 2018, Palmetto Bay: Annie Blazejack and Geddes Levenson: Swamp Reclaims the Pool, Deering Estate, reviewed by Elisa Turner