23 Jun 2017, New York City: Subtext II: Meditations, Foley Gallery, reviewed by Harry Newman
22 Jun 2017, Rutland: Elizabeth Michelman: Notes from the Underground, Castleton Art Galleries, Castleton Downtown Gallery, reviewed by Pam Bernard
21 Jun 2017, New York City: Lynette Yiadom-Boakye: Under-Song For A Cipher, New Museum, reviewed by Kyrin Hobson
20 Jun 2017, St. Louis: Shimon Attie: Lost in Space (After Huck), Saint Louis Art Museum, reviewed by Elisa Turner
19 Jun 2017, New York City: Steve Keene: Can't Wait!, Marlborough Contemporary, reviewed by William Corwin
16 Jun 2017, New York City: Elias Sime: Twisted & Hidden, James Cohan Gallery, reviewed by William Corwin
15 Jun 2017, Nuremberg: The Most Beautiful Cities in Europe: The Edition compiled by Georg Braun and Franz Hogenberg 1572-1640, Germanisches National Museum, reviewed by Vera Wilde
14 Jun 2017, Paris: Camille Pissarro: The First of the Impressionists, Marmottan Monet Museum, reviewed by Ann Saul
14 Jun 2017, Cambridge: An Inventory of Shimmers: Objects of Intimacy in Contemporary Art, List Visual Arts Center, Massachusetts Institute of Technology, reviewed by Heather Kapplow
13 Jun 2017, Chicago: Kadar Brock: summon artifact, Patron Gallery, reviewed by Alan Pocaro
12 Jun 2017, Cambridge: The Philosophy Chamber: Art and Science in Harvard’s Teaching Cabinet, 1766-1820, Harvard Art Museums, reviewed by Christopher Snow Hopkins
09 Jun 2017, New York City: Judith Barry: imagination, dead imagine, Mary Boone Gallery, reviewed by William Corwin
09 Jun 2017, New York City: Fifty-Three Stations of the Upright Tokaido, Ronin Gallery, reviewed by Michael Stiefel
08 Jun 2017, Ithaca: The War to End All Wars: Artists and World War I, Johnson Museum of Art, Cornell University, reviewed by Arthur Whitman
07 Jun 2017, New Haven: Lawrence Morelli: The Third Person, Artspace, reviewed by Heather Kapplow
07 Jun 2017, Venice: China Beautiful, Biennale di Venezia, Pavilion of the Chinese Republic, Arsenale, reviewed by Rob Mackenzie
07 Jun 2017, Miami: John Dunkley: Neither Day nor Night, Pérez Art Museum Miami, reviewed by Elisa Turner
02 Jun 2017, Durham: Nina Chanel Abney: Royal Flush, Nasher Museum of Art, Duke University, reviewed by Christopher Vitiello
01 Jun 2017, Frankfurt am Main: Photographs Become Pictures: The Becher Class, Städel Museum, reviewed by Vera Wilde
01 Jun 2017, Columbus: Gray Matters, Wexner Center for the Arts, Ohio State University, reviewed by Sarah Rose Sharp
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