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09 Aug 2017, Chicago: Automythography: Mequitta Ahuja, Kambui Olujimi, Kaveri Raina, Ato Ribeiro, Alex Yudzon, Anastasia Tinari Projects, reviewed by Alan Pocaro

09 Aug 2017, Canajoharie: Truth is the Only Safe Ground to Stand Upon: Portraits of New York State Suffragists by Christine Heller, Arkell Museum, reviewed by Ashley Norwood Cooper

09 Aug 2017, Asheville: Robert Motherwell: The Quiet + The Wild, Black Mountain College, reviewed by Andy Gambrell

08 Aug 2017, Ithaca: Robert Richenburg: Abstract Expressionist Painter, Johnson Museum of Art, Cornell University, reviewed by Arthur Whitman

03 Aug 2017, Manchester: Soo Sunny Park: BioLath, Currier Museum of Art, reviewed by Franklin Einspruch

03 Aug 2017, Prague: Gerhard Richter, National Gallery in Prague, Kinsky Palace, reviewed by Vera Wilde

02 Aug 2017, Lebanon: Alison Palizzolo: Acrylic and Stucco, Dartmouth-Hitchcock Medical Center, reviewed by Susan B. Apel

02 Aug 2017, Leeds: Ghisha Koenig: Machines Restrict their Movement, Henry Moore Institute, reviewed by William Corwin

28 Jul 2017, Ithaca: HereThere: Poetics of Place, Ink Shop, reviewed by Arthur Whitman

27 Jul 2017, Boston: Dana Schutz, Institute of Contemporary Art/Boston, reviewed by Franklin Einspruch

27 Jul 2017, Cooperstown: Homeland, Art Garage - Cooperstown, reviewed by Petey Brown

27 Jul 2017, Bologna: Christian Boltanski: Anime. Di luogo in luogo, Museo d'Arte Moderna di Bologna, reviewed by Vera Wilde

26 Jul 2017, Chicago: Takashi Murakami: The Octopus Eats Its Own Leg, Museum of Contemporary Art Chicago, reviewed by Tom Pekovitch

25 Jul 2017, Miami: Women Painting, Girls' Club, Miami Dade College Kendall Gallery, reviewed by Elisa Turner

21 Jul 2017, Venice: Mark Bradford: Tomorrow Is Another Day, Biennale di Venezia, United States Pavilion, Giardini, reviewed by Rob Mackenzie

21 Jul 2017, Cooperstown: A Place at the Table, Smithy Pioneer Gallery, reviewed by Ashley Norwood Cooper

20 Jul 2017, London: Gabriel Kuri: Afterthought is Never Binary, Sadie Coles HQ, reviewed by William Corwin

18 Jul 2017, Boston: Thomas Lyon Mills, Rafius Fane Gallery, reviewed by Suzanne Volmer

13 Jul 2017, Williamstown: Thomas Schütte: Crystal, Clark Art Institute, reviewed by Christopher Snow Hopkins

13 Jul 2017, Venice: Gal Weinstein: Sun Stand Still, Biennale di Venezia, Pavilion of the State of Israel, Giardini, reviewed by Rob Mackenzie

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