Delicious Line has published 500 reviews and concluded
04 Feb 2019, Salem: Nature's Nation: American Art and Environment, Peabody Essex Museum, reviewed by Franklin Einspruch
01 Feb 2019, Houston: Cassils: Solutions, Station Museum of Contemporary Art, reviewed by Bryan Hilley
30 Jan 2019, New York City: Dana Schutz: Imagine Me and You, Petzel, reviewed by Franklin Einspruch
29 Jan 2019, Ithaca: Domenica Brockman, Community Arts Partnership ArtSpace, reviewed by Arthur Whitman
28 Jan 2019, Zürich: Markus Rey, Galerie am Lindenhof, reviewed by Heather Kapplow
10 Jan 2019, Orlando: Shifting Gaze: A Reconstruction of The Black & Hispanic Body in Contemporary Art, Mennello Museum of American Art, reviewed by Harry Newman
06 Jan 2019, Cambridge: Introducing Tony Conrad: A Retrospective, List Visual Arts Center, Massachusetts Institute of Technology, reviewed by Heather Kapplow
04 Jan 2019, New York City: Sarah Bowling: Private Party, RULE Gallery, reviewed by Elisa Turner
30 Dec 2018, Cambridge: Introducing Tony Conrad: A Retrospective, Carpenter Center for the Visual Arts, Harvard University, reviewed by Heather Kapplow
29 Dec 2018, Brooklyn: Serra Victoria Bothwell Fels: Bad Boundaries, Catinca Tabacaru, reviewed by William Corwin
18 Dec 2018, San Francisco: Theodora Varnay Jones: Dialectics: angles of cognition, in the orbit of photography, Don Soker Gallery, reviewed by Barbara Bryn Klare
13 Dec 2018, Brooklyn: Remy Jungerman: Based In, Robert Henry Contemporary, reviewed by William Corwin
06 Dec 2018, Pinecrest: Xavier Cortada: Antarctic Ice Paintings, Hibiscus Gallery, reviewed by Elisa Turner
06 Dec 2018, Boston: Stephanie Cardon: Unless, Now + There, Prudential Center, Boylston Entrance, reviewed by Heather Kapplow
06 Dec 2018, Des Moines: Neo Rauch: Aus dem Boden/From the Floor, Des Moines Art Center, reviewed by Alan Pocaro
01 Dec 2018, New York City: Krištof Kintera: Do Not Litter, Do Not Feed Birds and Do Not Push the Help Button (Yet), Czech Center New York, reviewed by William Corwin
29 Nov 2018, Cambridge: Time is Now: Photography and Social Change in James Baldwin’s America, Carpenter Center for the Visual Arts, Harvard University, reviewed by Heather Kapplow
14 Nov 2018, Chicago: Peeling off the Grey, National Museum of Mexican Art, reviewed by Nina Versenyi
09 Nov 2018, New York City: Susan Vecsey, Berry Campbell, reviewed by Maria-Lisa Farmakidis
09 Nov 2018, Asheville: Introducing Frank Hursh, Blue Spiral 1, reviewed by Andy Gambrell
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