Delicious Line has published 500 reviews and concluded

02 Jun 2017, Durham: Nina Chanel Abney: Royal Flush, Nasher Museum of Art, Duke University, reviewed by Christopher Vitiello

01 Jun 2017, Frankfurt am Main: Photographs Become Pictures: The Becher Class, Städel Museum, reviewed by Vera Wilde

01 Jun 2017, Columbus: Gray Matters, Wexner Center for the Arts, Ohio State University, reviewed by Sarah Rose Sharp

31 May 2017, Dallas: Between Heaven and Hell: The Drawings of Jusepe de Ribera, Meadows Museum, Southern Methodist University, reviewed by Tim McClure

30 May 2017, Chicago: It will be more like scratching than writing, Goldfinch, reviewed by Alan Pocaro

28 May 2017, New York City: Seurat's Circus Sideshow, Metropolitan Museum of Art, reviewed by Arthur Whitman

25 May 2017, Frankfurt: René Magritte: The Treachery of Images, Schirn Kunsthalle Frankfurt, reviewed by Vera Wilde

25 May 2017, New Haven: Paul Theriault: The Electronic Arts Library, Artspace, reviewed by Heather Kapplow

24 May 2017, Chicago: Looking at the Present: Recent Works by Jim Dine, Richard Gray Gallery, Gray Warehouse, reviewed by Tom Pekovitch

23 May 2017, Boston: Steve McQueen: Ashes, Institute of Contemporary Art/Boston, reviewed by Christopher Snow Hopkins

22 May 2017, New York City: Anselm Kiefer: Transition from Cool to Warm, Gagosian, reviewed by Ashley Norwood Cooper

22 May 2017, Brooklyn: Dana Gordon: New Paintings 2015-2017, Sideshow Gallery, reviewed by Ann Saul

18 May 2017, Venice: Jana Želibská: Swan Song Now, Biennale di Venezia, Czech Republic and Slovak Republic Pavilion, Giardini, reviewed by Rob Mackenzie

18 May 2017, Boston: James Kinny: Roil & Hush, Matter & Light, reviewed by Susan Post

17 May 2017, Brooklyn: National Affiliates: She Persisted, SOHO20, reviewed by Harry Newman

17 May 2017, Hong Kong: Carlos Cruz-Diez: Mastering Colour, Puerta Roja, reviewed by Andy Gambrell

16 May 2017, Brooklyn: Fables of the Reconstruction: Peter Burns, Mary DeVincentis, Lizbeth Mitty, Helen O'Leary, David & Schweitzer Contemporary, reviewed by Ashley Norwood Cooper

15 May 2017, New York City: Audrey Flack: Master Drawings from Crivelli to Pollock, Hollis Taggart Galleries, reviewed by Ellen Pall

15 May 2017, Berlin: Adrian Piper, The Probable Trust Registry: The Rules of the Game #1-3, Hamburger Bahnhof - Museum für Gegenwart - Berlin, reviewed by Vera Wilde

12 May 2017, New York City: Max Ernst, Big Brother: Teaching Staff for a School of Murderers, Paul Kasmin Gallery, reviewed by Franklin Einspruch

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