06 Apr 2018, Boston: Klimt and Schiele: Drawn, Museum of Fine Arts, Boston, reviewed by David Curcio

04 Apr 2018, Salem: Playtime, Peabody Essex Museum, reviewed by Heather Kapplow

03 Apr 2018, New York City: Per Kirkeby: Paintings and Bronzes from the 1980s, Michael Werner, reviewed by Suzanne Unrein

01 Apr 2018, Bronx: Gordon Matta-Clark: Anarchitect, Bronx Museum of the Arts, reviewed by Heather Kapplow

31 Mar 2018, New York City: Simon Schubert: Beyond the Doubt of a Shadow, Foley Gallery, reviewed by Harry Newman

30 Mar 2018, Ithaca: 29th Annual Photo Show, State of the Art Gallery, reviewed by Arthur Whitman

29 Mar 2018, Köln: Wolfgang Tillmans: Fest (Firmly), Galerie Buchholz, reviewed by Vera Wilde

28 Mar 2018, New York City: Xi Zhang, Marc Straus, reviewed by Harry Newman

23 Mar 2018, North Adams: Melanie Mowinski: The 50 Card Project, MCLA Gallery 51, reviewed by Heather Kapplow

22 Mar 2018, New York City: Nathlie Provosty: My Pupil is an Anvil, Nathalie Karg Gallery, reviewed by William Corwin

21 Mar 2018, Dallas: Memory, Mind, Matter: The Sculpture of Eduardo Chillida, Meadows Museum, Southern Methodist University, reviewed by Tim McClure

18 Mar 2018, New York City: Tom Leaver, McKenzie Fine Art, reviewed by Harry Newman

14 Mar 2018, Berlin: Indigenous Australia: Masterworks from the National Gallery of Australia, me Collectors Room Berlin, reviewed by Vera Wilde

13 Mar 2018, Ithaca: Brian Arnold: Ithaca by Night, Community School of Music and Arts, reviewed by Arthur Whitman

09 Mar 2018, Köln: Black Power - Flower Power: Photographs by Pirkle Jones and Ruth-Marion Baruch, Museum Ludwig, reviewed by Vera Wilde

08 Mar 2018, New York City: Andy Woll: Western Wear, Denny Gallery, reviewed by Suzanne Unrein

08 Mar 2018, Miami: Tom Schmitt, Bridge Red Studios, reviewed by Elisa Turner

07 Mar 2018, Medellin: Vardagnega, Soto, & Lezaca, Mundo Arte Galeria, reviewed by Andy Gambrell

07 Mar 2018, New York City: Rita McBride: Particulates, Dia:Chelsea, reviewed by William Corwin

03 Mar 2018, Jamaica Plain: Displays of Affection, Boston Cyberarts Gallery, reviewed by Karen Lean

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