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22 Nov 2019, Boonton: Peter Reginato: The Silver Series, Broadfoot and Broadfoot, reviewed by Dana Gordon

22 Nov 2019, New York City: Postwar Women, Art Students League of New York, reviewed by Saul Ostrow

19 Nov 2019, Paris: Degas at the Opera, Musée d'Orsay, reviewed by Ann Saul

09 Nov 2019, Brooklyn: David Henderson: Later that Afternoon, Studio 10, reviewed by Elizabeth Johnson

04 Nov 2019, Boston: Jo Ann Rothschild: Only Your Loves Matter, A R E A at The Yard, reviewed by Elizabeth Michelman

31 Oct 2019, Paris: Greco, Réunion des musées nationaux - Grand Palais, reviewed by Ann Saul

31 Oct 2019, New Haven: What Surrounds, Ely Center of Contemporary Art, reviewed by Audra Lambert

29 Oct 2019, Boston: The Skin Has Eyes, Mills Gallery, reviewed by Heather Kapplow

25 Oct 2019, Brooklyn: Leslie Roberts: How Things Are, Minus Space, reviewed by Dana Gordon

22 Oct 2019, Paris: Katherine Bradford: Artists, Cops and Circus People, Campoli Presti, reviewed by Dana Gordon

17 Oct 2019, Salem: Hans Hofmann: The Nature of Abstraction, Peabody Essex Museum, reviewed by Franklin Einspruch

16 Oct 2019, Ithaca: Minnie Jardine: Coming to Terms, Community Arts Partnership ArtSpace, reviewed by Arthur Whitman

10 Oct 2019, New York City: Jill Mulleady: Fight-or-Flight, Swiss Institute, reviewed by Suzanne Unrein

09 Oct 2019, Charlotte: Esteban Vicente, Jerald Melberg Gallery, reviewed by Andy Gambrell

09 Oct 2019, Aarhaus: Jessie McNeil: Great Big Plans, Aarhus Billedkunstcenter, reviewed by Heather Kapplow

04 Oct 2019, New York City: Deborah Zlotsky: Now and later, Kathryn Markel Fine Arts, reviewed by Ashley Norwood Cooper

03 Oct 2019, Bridgeport: Close to the Line: Mari Rantanen and Kirsten Reynolds, Housatonic Museum of Art, reviewed by Michelle Weinberg

02 Oct 2019, New York City: Nancy Cohen: Force: Observations from the Interior, Kathryn Markel Fine Arts, reviewed by Kate Dodd

01 Oct 2019, Dallas: Jonas Wood, Dallas Museum of Art, reviewed by Tim McClure

30 Sep 2019, Hudson: Kim Uchiyama: Ascension, John Davis Gallery, reviewed by Jill Nathanson

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