28 Dec 2017, Berkeley: Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou, UC Berkeley Art Museum and Pacific Film Archive, reviewed by John Rapko

27 Dec 2017, Savannah: Jacob Lawrence: Lines of Influence, SCAD Museum of Art, reviewed by Andy Gambrell

26 Dec 2017, New York City: Michelangelo: Divine Draftsman & Designer, Metropolitan Museum of Art, reviewed by Jan Castro

21 Dec 2017, New York City: Lynn Stern, Taka Ishii Gallery, reviewed by William Corwin

21 Dec 2017, Chicago: Leigh Ledare: The Plot, Art Institute of Chicago, reviewed by Anthony Hamilton

20 Dec 2017, Detroit: Sonic Rebellion: Music as Resistance, Museum of Contemporary Art Detroit, reviewed by Ashley Norwood Cooper

18 Dec 2017, Cambridge: Carmen Papalia: Open Access: Practicing Accessibility Together, Gallery 344, City Hall Annex, reviewed by Franklin Einspruch

18 Dec 2017, Gloucester: Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane, Cape Ann Museum, reviewed by David Curcio

18 Dec 2017, Salem: Georgia O’Keeffe: Art, Image, Style, Peabody Essex Museum, reviewed by Franklin Einspruch

14 Dec 2017, Cambridge: Altered States: Sex, Drugs, and Transcendence in the Ludlow-Santo Domingo Library, Houghton Library, Harvard University, reviewed by Heather Kapplow

14 Dec 2017, Palmetto Bay: Christina Pettersson: Mythology and Site, Deering Estate, reviewed by Elisa Turner

13 Dec 2017, Reading: Perle Fine/Marguerite Louppe: New York/Paris, Freedman Gallery, Albright College, reviewed by Rose-Carol Washton Long

12 Dec 2017, Berlin: Jeanne Mammen: The Observer, Retrospective 1910-1975, Berlinische Galerie, reviewed by Vera Wilde

08 Dec 2017, Normal: Dianna Frid: It Takes Time, University Galleries of Illinois State University, reviewed by Nina Versenyi

08 Dec 2017, New York City: Yayoi Kusama: Festival of Life, David Zwirner, reviewed by Jan Castro

06 Dec 2017, New York City: Molly Zuckerman-Hartung: Learning Artist, Rachel Uffner Gallery, reviewed by Elizabeth Johnson

05 Dec 2017, New York City: Ardent Nature: Arshile Gorky Landscapes, 1943-47, Hauser & Wirth, reviewed by Kim Uchiyama

01 Dec 2017, Wenham: Samantha Fields: Mistress, Miss, Mrs or Ms, Madam?, Gallery at Barrington Center for the Arts, Gordon College, reviewed by John Pyper

01 Dec 2017, Norton: Society in Upheaval, Beard and Weil Galleries, Wheaton College, reviewed by David Curcio

28 Nov 2017, New York City: A Landmark Exhibition: An Alliance of Artists and Patrons on 57th Street, Art Students League of New York, reviewed by William Corwin

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